The vulnerability of the indestructible, about the work of the sculptor Wolfgang Sandt

Wolfgang Sandt's medium is stone. He sets out to find the material's inherent secret, its inner light, its hidden language.
Wolfgang Sandt's theme is "fragility", the question of the constant changeability of seemingly immutable values and circumstances.
One result of this exploration are his "fragile stelae", long, slender, elegant and always with fragile areas on the verge of breaking. Wolfgang Sandt says of this: "The artist must always go to the extreme".
He is fascinated by the contrast between the heaviness of the material and the lightness of the form: he seeks the connection between heaven and earth.
Another contrast that becomes visible in his work is that between the solidity of stone and the intangibility of light. Wolfgang Sandt works the hard stone so finely that it becomes translucent and seems to dissolve.
Thus he creates true “stones of light”, regardless of whether they are abstract or inspired by models from nature, such as his marble flowers.
His sculptures are purchased by collectors in Germany, Austria, Switzerland, the United States, Great Britain, Belgium and Italy, and are displayed in public spaces in Germany and Italy.
On request, he also creates sculptures on commission.
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Srebrenica, 1993, Norit, 180 x 90 x 80 -
Curriculum Vitae Wolfgang Sandt
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1960 Born in Munich
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1979 - 1981 Art School, Munich
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1982 - 1985 Apprenticeship as stonemason and stonesculptor
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1985 – 1993 Collaboration with several sculptors for works in public spaces and churches in Germany
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1989 Stay for art studies in Pietrasanta, Italy
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1987 – 2001 Creation and political struggle for the erection of a memorial for the concentration camp site of Dachau subcamp at Ottobrunn (more about this below on this page)
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1993 - 1995 Masterschool for stonemasons and stonesculptors, Munich, finishing with masters diploma
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1998 The community Haar acquires the sculpture “Srebrenica” to commemorate the victims of the Bosnian war of the 1990s.
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2006 Start of the ongoing La Rogaia “Arte Natura“ project for the revival and maintenance of old cultural and natural landscape in Umbria, Italy, creating an olive tree sculpture park
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2023 At the invitation of the Ukrainian Embassy in Berlin, participation in the ArtArmor project, an artistic aid project for Ukraine, with the sculpture "Against All Odds".
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Lives and works as free artist in Kaufbeuren, Germany and Passignano sul Trasimeno, Italy
An important part of my biography. The memorial for the Dachau subcamp at Ottobrunn

The memorial for the subcamp Ottobrunn of the Dachau concentration camp was an important part of my artistic biography and so far that one of my artworks which had the biggest impact.
The existence of the subcamp during the "Third Reich" had been forgotten or hushed up after the second world war.
1982 a youth group of the protestant church in Ottobrunn learned about the subcamp and brought the fact of its existence back to public consciousness.
At that time I had just finished art school and had started an apprenticeship as stonemason and sculptor. I had already an idea for a memorial but was aware of the fact that my skills still were not sufficient to realise it.
In the middle of the eighties finally I felt ready.
I knew how to carve stone, I made a draft and presented it to the youth group of the protestant church and to a group of supporters which had formed quickly.
Yet it was not earlier than 2001 before the memorial was erected in the center of Ottobrunn, after long years of political struggle.
On this page bit by bit I will publish all the information I can get about the history of the memorial.
Here I start with a video of the memorial.
The concentration camp subcamp Ottobrunn
A visit to the Dachau Concentration Camp Memorial is a compulsory part of the school career of most students from Munich and the surrounding area.